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International Conference “The Migration of Artists and Architects in Central and Northern Europe, 1560–1900”

Personība mākslas procesos


Riga: Art Academy of Latvia Institute of Art History, 2019. 36 pp.
ISBN 978-9934-541-42-1


  • Konrad A. Ottenheym. Netherlandish Architecture as an Export Product in Early Modern Europe: Mechanisms of Diffusion of Artists and Architectural Ideas in Northern and Central Europe
  • Juliette Roding. Successes and Failures: Artists and Architects from the Low Countries Becoming Wealthy in Central and Northern Europe
  • Kathrin Wagner. Two Steps Forward, One Step Back – The Pre-Migrational Phase and its Impact on Artists’ Migration Histories
  • Michal Wardzyński. Sculptors Jakob Egen, Augustin Van Oyen and Martin Christian Peterson. Last Netherlandish and Danish Immigrants in the Polish-Lithuanian Commonwealth?
  • Wendy Frère. A Quellinus in Scandinavia: Thomas Quellinus (1661 – Ca. 1709) and his Artistic Production in Denmark
  • Agnieszka Patała. From Nuremberg to Breslau and the Other Way Around – Artists’ Migrations between Franconia and Silesia in the 16th and the 17th Century
  • Torsten Veit. Collective Authorship. Reflections on the Benefit of Historical Network Research and Gis for Art Historical Purpose
  • Anna Ancāne. Transfer of New Models in Riga Architecture and Sculptural Décor in the 1750s–60s. A Travelling Architect in Military Service Johann Friedrich Oettinger and Immigrant Sculptor Jacob Ernst Meyer
  • Aistė Paliušytė. Researching Migration According to the Dictionary of Lithuanian Artists
  • Hans J. van Miegroet. Mapping Artists and Artist Migrations with Imperfect Data
  • Aleksandra Lipińska. On the Move. Tendencies and Methods of the Research on Artists’ Migration
  • Krista Kodres. Early Modern Artistic Internationalism: Migrating to Tallinn / Reval
  • Franciszek Skibiński. Artists’ Mobility, Information and Knowledge Flow in the Baltic Region 1550–1650
  • Helena Seražin. The Role of Ambassadors in Recruiting Italian Artists and Architects for the Imperial Court or How Andrea Palladio Almost Ended up on the Habsburg Court
  • Alessandra Becucci. Migrating Artists and Travelling Patrons in Seventeenth-Century Central Europe: Balassi, Seghers and Heimbach for Ottavio Piccolomini
  • Sanja Cvetnič. Rome in Croatia, via Tyrol
  • Ruth Sargent Noyes. Translatio from the Roman Catacombs to the Northern Catholic Frontier: (Re)moving Relics and Migrating Art and Architecture between Italy and the Polish-Lithuanian Commonwealth, 17th–19th Centuries
  • Julia Trinkert. The Architect and his Employer: Carl Gottlob Horn’s Passive Mobility and its Significance for the Social Rise of Heinrich Carl Von Schimmelmann
  • Eduards Kļaviņš. Pragmatic Migration and Romantic Nomadism of Artists Across and from the Baltic Provinces of Russian Empire at the Beginning of the 19th Century
  • Irene (Rena) Fatsea. Contrasting Approaches to Historicism: Greece as the Common Topos of Expatriate Central European Architects in Modernity
  • Laura Lūse. How to Build a Palace on Empty Grounds? Migration of Craftsmen and Artists During the Construction of Rundale Palace

Conference as organised by the Art Academy of Latvia, implementing the ERDF project “Raising of the Research and Innovation Capacity of the Art Academy of Latvia Institute of Art History” (No. in collaboration with Rundāle Palace Museum

Iet atpakaļ

© LMA Mākslas vēstures institūts 2024.
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